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AJA Video Ki Pro Quad - 4K Recorder/Player

von: AJA Video

Bestell-Nr.: AJA-KP-4K

Der 4K Recorder in ProRes und DNxHD

benötigt AJA Pak SSD Laufwerke

Ware wird, bzw. ist nachbestellt

€ 3.464,35

obige Preisangaben sind Netto-Preise, zuzüglich gesetzlicher Umsatzsteuer und gegebenenfalls
zuzüglich Versandkosten (netto)*


Produktinformationen "AJA Video Ki Pro Quad - 4K Recorder/Player"

Kapazität
Bauformportable
File FormateApple ProRes
File FormateAVID DNxHD
I/Os Video4K
I/Os VideoSDI
I/Os VideoHDMI
I/Os Videoanalog
I/Os AudioSDI
I/Os AudioHDMI
I/Os Audioanalog
I/Os AudioAES
SpeichermedienSSD
SpeichermedienHarddisk

AJA Video Ki Pro Quad - 4K Recorder/Player

Machen Sie Ihren Workflow zukunftssicher!

Kombinieren Sie HD, 2K und 4K Aufnahmen mit bahnbrechenden Features und zuverlässiger Qualität. Der nächste Schritt in Richtung 4K Produktion: Die Ki Pro Quad ist die erste Wahl am Drehort für die direkte Kamera-Aufzeichnung und Wiedergabe. Mit der Ki Pro Quad realisieren Sie Ihre Projekte auf allerhöchstem Niveau, mit 4:4:4 oder 4:2:2 Bit in HD, 2K und 4K und alles mit einem kompakten, bezahlbaren Gerät. Mit jeder kompatiblen Kamera verbunden, kann die Ki Pro Quad in 10-bit 4K ProRes aufzeichnen und gleichzeitig das 4K Signal auf einem HD Monitor ausgeben, sowie per Thunderbolt™ die RAW-Daten der Kamera an Speichermedien oder Computer weiterleiten. Ganz gleich in welchem Format Sie drehen, Sie haben alles was Sie brauchen!

Leistungsfähiges 4K Monitoring
Ki Pro Quad kann die RAW Sensor Daten mittels “debayering” des Bildes in Echtzeit auf SDI, HDMI oder 4K Monitoren darstellen

‘ready-to-edit’ Aufzeichnung in Apple ProRes
Simultane Aufzeichnung von Apple ProRes 422 oder ProRes 444 Files direkt auf zuverlässige SSD Speichermedien – Bereit für die Post-Production.

4K RAW capturing via Thunderbolt™
Zusammen mit der Canon C500, erleben Sie ultimative Bildqualität und speichern die unkomprimierte RAW Kamera Information auf ein Speicher-RAID.

Manageable 4K

Enables a powerful yet manageable workflow for 4K. Ki Pro Quad serves as a central gathering point for the main needs of 4K production; bring camera signals into Ki Pro Quad and then simultaneously create edit-friendly 4K ProRes files, output to 4K monitors and record RAW data directly to Thunderbolt-enabled computer/storage system. 4K content needs are growing. Ki Pro Quad helps ease the transition to 4K with a recorder that creates smaller file sizes while still retaining quality.

HD now, 4K when you need it

Supports 4:2:2 and 4:4:4 recording even at HD and 2K resolutions. Real time scaling from 4K to 2K/HD. Shoot 4K but record 2K to keep file sizes down but still have theatrical quality images to work with. HDMI output allows connection even to HD consumer monitors. Ki Pro Quad can cover your needs today and into the future.

Powerful

New hardware-based features, such as real time, high-quality RAW debayering, recording directly to 4K resolution Apple ProRes files and real time scaling from 4K to HD. Only AJA can deliver advanced features like these in such a compact package.

Affordable

Ki Pro Quad is priced substantially less than other 4K recorders but still has the power and functionality for the demands of 4K productions as well as functionality not found in recorders of ANY price.

Familiar

Ki Pro Quad follows the same tried-and-true principles that have made the rest of the Ki Pro family successful, creating high-quality, low-bandwidth ProRes files up to 4K resolutions, that can be easily offloaded to any Thunderbolt-enabled Mac via AJA's new SSD Thunderbolt reader. The resolution may be different, but the process is the same. And with the same capabilities of Ki Pro Mini for remote control, automation, ease of use and mounting options, the transition to Ki Pro Quad is virtually seamless.

4K and HD Monitoring

At 4K resolution, the ability to check focus and exposure is critical. The only way to do this is with proper, full 4K monitoring. Ki Pro Quad provides a full resolution output that can be fed to 4K monitors for real time, on set quality checks. Real time hardware scaling creates high-quality HD-SDI and HDMI outputs for viewing on consumer and professional HD monitors, giving you additional options.

RAW Support

RAW data is the source from which all other image formats can be generated. This is the equivalent of a camera negative in film terms. Thunderbolt allows the bandwidth to record this RAW data via a single cable to a properly configured drive array. Ki Pro Quad supports RAW data pass-through while simultaneously recording to 4K ProRes files, for the ultimate in data security and flexibility.

Onboard confidence monitoring

JThe screen on the Ki Pro Quad is located on the same side as all of the user controls so that both the screen and controls are fully accessible even when the Ki Pro Quad is mounted to the camera along with other gear. This provides a quick reference of the input signal as well as the configuration menus. The current status of the Ki Pro Quad as well as all the configuration information is displayed on the built-in screen.

Small enough to mount directly on the camera

4K cameras are no longer giant pieces of machinery. They are as mobile as an HD camera and need a recording device that matches. Ki Pro Quad has the same side profile as the AJA Ki Pro Mini, so the same mounting accessories such as the Mini Mounting Plate can be used to mount the Ki Pro Quad to cameras, rails or whatever the situation calls for.

Technical Specification

Video Formats

  • 720P 23.98, 25, 29.97, 50, 59.94, 60
    • Note: 720p 23.98 (24), 720p 25 and 720p 29.97 require a valid camera source and the use of the Record Type>VFR selection
  • 1080i 25, 29.97, 30
  • 1080PsF 23.98, 24, 25*, 29.97*
    • Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection
  • 1080p 23.98, 24, 25, 29.97, 50, 59.94
  • 2K (2048x1080) PsF 23.98, 24, 25*, 29.97*
    • Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection
  • 2K (2048x1080) p 23.98, 24, 25, 29.97, 50, 59.94
  • QuadHD (3840x2160) PsF 23.98, 24, 25, 29.97, 50*, 59.94*
    • Note: 50 and 59.94 are not supported for recording only for input passthrough
  • QuadHD (3840x2160) p 23.98, 24, 25, 29.97, 50*, 59.94*
    • Note: 50 and 59.94 are not supported for recording only for input passthrough
  • 4K (4096x2160) PsF 23.98, 24, 25, 29.97, 50*, 59.94*
    • Note: 50 and 59.94 are not supported for recording only for input passthrough
  • 4K (4096x2160) p 23.98, 24, 25, 29.97, 50*, 59.94*
    • Note: 50 and 59.94 are not supported for recording only for input passthrough

Codec Support

  • Apple ProRes 422
  • Apple ProRes 422 (HQ)
  • Apple ProRes 422 (LT)
  • Apple ProRes 422 (Proxy)
  • Apple ProRes 4444

Removable Storage

  • 2x slots, AJA Pak SSD media

Video Input Digital

  • 4x 3G/HD SDI, SMPTE-292/296/424, 10-bit (12-bit input supported)
  • Single Link 4:2:2, 4:4:4 or Canon Raw (1 x BNC)
  • Dual Link 4:2:2, 4:4:4 or Canon Raw (2 x BNC)
  • 4K or Quad HD 4:2:2 or 4:4:4 (4 x BNC)
  • 1D LUT Support

Video Output Digital

  • 4x 3G/HD SDI, SMPTE-292/296/424, 10-bit
  • Single Link 4:2:2 or 4:4:4 (1 x BNC)
  • Dual Link 4:2:2 or 4:4:4 (2 x BNC)
  • 4K or Quad HD 4:2:2 or 4:4:4 (4 x BNC)
  • 1x HD SDI monitor output with support for up to 2K (2048x1080) 4:2:2
  • 1x HDMI v1.4 monitor output
  • 1D LUT support

Audio Input Digital

  • 8-channel, 24-bit SDI embedded audio, 48kHz sample rate, Synchronous

Audio Input Analog

  • 2-channel, 24-bit A/D analog audio, 48kHz sample rate, balanced (2 x XLR)
  • Input level: Line, Mic, Mic+phantom 48Vdc
  • +24dBu Full Scale Digital
  • +/- 0.2dB 20Hz to 20kHz Frequency Response

Audio Output Digital

  • 8-channel, 24-bit SDI embedded audio, 48kHz sample rate, Synchronous
  • 8-channel, 24-bit HDMI embedded audio, 48kHz sample rate, Synchronous

Audio Output Analog

  • Stereo unbalanced headphone jack (1 x mini TRS)

Timecode

  • SDI RP188/SMPTE 12M via SDI BNC
  • LTC input (1 x BNC)

Reference Input

  • Analog Color Black (1V) or Composite Sync (2 or 4V)

Network Interface

  • 10/100/1000 Ethernet (RJ-45)
  • Embedded web server for remote control

Data Interface

  • 1x Thunderbolt

User Interface

  • 320x240 LCD display and 14 dedicated operational buttons

Physical

  • Width: 4.55 in. (11.557 cm)
  • Depth: 2.85 in. (7.239 cm)
  • Height: 5.89 in. (14.9606 cm)
  • Power: 100-240 VAC 50/60Hz (adapter), 12-18Vdc 4-pin XLR (chassis), 3.46A max, 31.2-35.5W typical-41.5W Max
  • Weight: 2.22 lb (1.00698 kg)

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Weitere Informationen zu AJA Video

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